Day One at Shockwave was a Shockblast!
Yeah…that was a play on Transformers. Heh. Shockblast is Shockwave’s name in the Alternator continuity over here in the U.S.! Soooo here we roll:
My sexy overhead shot!
Finally! I got a “decent” one.
We threw down the scratch tracks for the guitar and then I went to work. After setting up and tuning and working around with the mics, I must say…
Each and every one of you guys that gave me support, tips, and head suggestions…I owe you so much. The sound, just stock, straight out of the drums themselves provides such sounds that I never thought I would be able to hear without any EQing or any extra.
My tuning was complimented by Jordan, our studio guru (Since he’s the lord and master, and he’s also helping us with virgin ears on everything and calling us out when and if we need it!). My kick only needed a tweak on two rods!
The coated heads made a major difference. It was so long since I played on coated heads, I could tell right away what everyone was talking about. The snare (batter) is the Evans reversed Power Center, which is the Evans version of my Remo standard, and it sounds virtually the same. The Evans just has an overall THICKER feel. It plays different too, even at the same tuning. It seems to have more of a bounce to it. It’s beautiful either way.
Moving on down the list. We recorded our first track, Echo Plasm. Which, up until just now, the tracks we were recording were a secret, so there’s a freebie from me.
We usually play it rather fast. We played around with the tempo at our “normal” speed ranges and kept slowing it down. We hit 190 and that was the groove spot. It felt good. It felt right. I think it was the idea of the first time recording with a click track, an hour and a half of sleep, and dropping it down to “that slow” compared to how we’ve been playing it since it’s inception.
I ate up 3 and a half hours. Dialing everything in and making sure everything was spot on. There were a lot of takes where I was either in front of the click or behind it. When I found the sweet spot I made it work for a bit until I would slowly end up creeping back up to normal speed.
After it was all said and done, I came in, and I was beyond aggravated, but Jordan and the guys were just smiling. They kept encouraging me throughout all of it, and they told me good job. Jordan cleaned it all up, and we went through it. I was amazed. We picked apart some of the double bass blasts that I got sloppy on, and at the end I was so into it, I completely left out the double bass and grooved on with the single.
We fixed that too. Cut and paste, and then a little tweaking to add and create the normal beat I usually use on the outro. I know a lot of people are against that and consider it cheating, but me? Pft. I know I can do it. I do it all the time. Just not at that pace, and why waste time when it can be manipulated to have it right and perfect.
We played around with some kick filters and we even put a flag up and a couple of measures of layered kick to mix it down for him to remember later as he’s kicking us out so he can do HIS end.
All in all…I’m in awe.
I love it. Pissed off? Certainly. Just at myself. But playing around at that pace, it is to be expected, plus tiredness, and everything else.
BUT DAY ONE IS DOWN!!!! Echo Plasm’s drum tracks are complete! Now, onto the next two!!!
~M